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The post The Truth About Britain?s Wildfires appeared first on The Daily Sceptic.

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The post Lucy Connolly and Ricky Jones: the System Worked as Intended appeared first on The Daily Sceptic.

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The Guardian, of all papers, has acknowledged that predictions about the disappearance of Arctic sea ice may ? just may ? have been exaggerated. Paging Gore Vidal: Can we have that prize back please?
The post Dramatic Slowdown in Melting of Arctic Sea Ice Surprises Scientists (But Not Climate Sceptics) appeared first on The Daily Sceptic.

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The post Starmer Accused of Hypocrisy Over Lucy Connolly Prosecution appeared first on The Daily Sceptic.

offsite link The Climate Change Committee?s 2015 Fifth Carbon Budget Over-Estimated the Price of Gas in 2025 and ... Thu Aug 21, 2025 07:00 | Ben Pile
The Climate Change Committee's Fifth Carbon Budget, produced 10 years ago, got its predictions about the price of gas in 2025 and the price of renewables predictably wrong, says Ben Pile.
The post The Climate Change Committee?s 2015 Fifth Carbon Budget Over-Estimated the Price of Gas in 2025 and Under-Estimated the Price of Renewables appeared first on The Daily Sceptic.

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Voltaire Network
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National - Event Notice
Thursday January 01 1970

Détruis Space

category national | arts and media | event notice author Monday September 07, 2009 17:03author by Ciara Report this post to the editors

Mixed Media Art exhibition – opening

Garden compost, and obliquely compost makers, forms the subject matter for this exhibition.

Détruis Space

A mixed media installation at The Joinery Gallery, Dublin.

Preview September 29th 2009 from 6 to 8pm.

Show runs daily 11am to 6pm until Saturday 3rd October 2009.

Détruis Space covertly questions the viewer's commitment to addressing environmental issues: Just how 'green' is our instinctive reaction to compost?

Humorously referencing Walter De Maria's Earth Room, this installation invites the viewer to experience the dirty, frequently unpleasant process of recycling household waste. Utilizing discarded and rotting material, the work questions society's troubled relationship with environmental concerns by radically transforming the white cube gallery space into a living, breathing organic microcosm.

The artist visited homes across Ireland collecting garden compost for subsequent installation in the Joinery Gallery's white cube space. Photographs and audio recordings document the process of compost collection from homes in counties Clare, Tipperary, Kildare and Dublin. These recordings mimic the archival nature of household waste. Sunflower seeds, egg shells and garden debris clearly visible in the installation reference the homes and lives from which this compost is derived.

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